Overused Movie And TV Tropes We Wish Would Disappear

by Sam Evans 53 views
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Hey movie and TV buffs! Ever sit through a show or film and think, "Ugh, not this again!" We all have those tropes that make us roll our eyes so hard we can practically see our brains. These overused plot devices, character archetypes, and predictable scenarios can really take away from the enjoyment of a story. So, let's dive into the world of overused tropes, dissect what makes them so grating, and maybe, just maybe, inspire some writers to think outside the box. What are some common movie or TV tropes that you find incredibly overused and wish writers would stop using?

The Magical Negro Trope: Enough with the Mystic Mentors!

One particularly irksome trope is the Magical Negro. This trope features a Black character whose primary function is to guide and support the white protagonist, often with mystical wisdom or unexplained abilities. Guys, it's 2024, and this trope feels incredibly outdated and frankly, a little offensive. The Magical Negro often lacks their own backstory, motivations, or personal growth, existing solely to further the white character's journey. Think about films where a Black character appears seemingly out of nowhere, dispensing cryptic advice or performing some kind of miraculous act, then fading back into the background. These characters are rarely fully fleshed out individuals; instead, they serve as convenient plot devices.

This overreliance on the Magical Negro trope does a disservice to both storytelling and representation. It perpetuates harmful stereotypes by reducing Black characters to mystical helpers rather than complex human beings with their own agency. We need to see Black characters in diverse roles, with their own goals and struggles, not just as supporting players in someone else's story. Writers need to dig deeper and create characters that are authentic, multifaceted, and free from these tired tropes. Let's retire the Magical Negro and embrace more nuanced and respectful portrayals of Black individuals in film and television. The trope often presents the black person as inherently wise, spiritual, or possessing magical abilities, which are used solely to benefit the white protagonist. This not only reduces the character's depth but also reinforces harmful stereotypes. The Magical Negro rarely has their own arc, desires, or backstory, existing merely as a plot device for the white character's development. This can be incredibly frustrating for viewers seeking authentic representation and diverse storytelling. Instead of relying on this trope, writers should strive to create fully realized characters of all backgrounds, with their own agency, motivations, and complexities. This will not only enrich the narrative but also contribute to a more inclusive and realistic portrayal of the world we live in. By moving beyond the Magical Negro trope, we can foster a more diverse and engaging landscape in film and television. We must look to cultivate characters that reflect the diverse tapestry of human experience.

The Damsel in Distress: Can We Rescue This Trope from Oblivion?

Another trope that has overstayed its welcome is the Damsel in Distress. This trope portrays a female character as helpless and passive, waiting to be rescued by a male hero. While there's nothing inherently wrong with a character needing help, the constant depiction of women as incapable of saving themselves is both limiting and frustrating. How many times have we seen a strong female character reduced to a screaming victim, only to be saved by a male protagonist swooping in at the last minute? This trope not only undermines female agency but also reinforces harmful gender stereotypes. We need to see more female characters who are proactive, resourceful, and capable of handling their own problems.

The Damsel in Distress trope is not only outdated but also a disservice to female characters and the audience. It suggests that women are inherently weak and dependent, which is a harmful and inaccurate portrayal. Instead of waiting for rescue, female characters should be active participants in their own stories, capable of making their own choices and fighting their own battles. Writers should focus on creating complex and multifaceted female characters who can be both vulnerable and strong, capable of seeking help when needed but also capable of self-reliance. This approach not only breaks free from tired tropes but also creates more compelling and relatable characters. Let's rewrite the narrative and empower women on screen to be the heroes of their own stories. It’s time to give female characters the agency they deserve and create stories that inspire and empower viewers. The damsel in distress trope limits the storytelling potential by reducing female characters to one-dimensional figures. By breaking away from this trope, writers can explore more complex and interesting narratives that showcase the strength, resilience, and diversity of women. It's time for a change.

The Chosen One: Is It Time for Someone Else to Be Special?

The Chosen One trope, where a character is destined to save the world, can be compelling, but it's become incredibly overused. We've seen countless stories where a seemingly ordinary person discovers they have extraordinary powers or a unique destiny. While this trope can provide a framework for epic adventures, it often leads to predictable narratives. The Chosen One narrative often follows a predictable arc: the ordinary individual discovers their extraordinary destiny, faces initial reluctance, undergoes training or self-discovery, and ultimately triumphs over evil. While this structure can be engaging, its repeated use can make stories feel formulaic and unoriginal. Viewers often know the Chosen One will succeed, diminishing the suspense and emotional impact. Instead of relying on this trope, writers could explore more nuanced narratives where multiple characters contribute to the resolution or where the protagonist's success is not guaranteed.

One of the biggest issues with the Chosen One trope is that it can overshadow other characters and themes. The focus is so heavily on the Chosen One's journey that other characters often become supporting players, their own stories and motivations sidelined. This can lead to a lack of depth and complexity in the overall narrative. Furthermore, the Chosen One narrative can sometimes promote a sense of elitism or exceptionalism, suggesting that only a select few are capable of making a difference. This can be a problematic message, particularly in a world where collective action and collaboration are essential. Writers should consider exploring stories where ordinary individuals can make extraordinary contributions, challenging the notion that only a destined hero can save the day. This approach can lead to more inclusive and inspiring narratives that resonate with a wider audience. The challenge is to subvert the trope in creative ways, such as having the Chosen One fail, struggle with their destiny, or share the burden with others. Ultimately, it’s about refreshing a familiar concept to keep audiences engaged and entertained.

The Love Triangle: Can't We Find Other Shapes for Relationships?

Ah, the love triangle: a staple of romantic dramas and teen shows. While love triangles can create drama and tension, they often feel forced and contrived. How many times have we seen characters torn between two love interests, leading to endless misunderstandings, betrayals, and angst? The love triangle trope often relies on artificial conflicts and manufactured drama to keep the audience engaged. Characters may make illogical choices or withhold information to prolong the tension, leading to frustration rather than emotional investment. The focus often shifts from genuine character development to the mechanics of the love triangle itself, resulting in shallow relationships and predictable outcomes. It's not that love triangles are inherently bad, but their overuse and predictable execution have diminished their impact. Writers need to explore other ways to create romantic tension and complexity without resorting to this tired trope.

One of the main issues with overusing the love triangle is that it often sacrifices character development for the sake of plot. Characters become defined by their romantic entanglements rather than their individual goals, motivations, and personalities. The focus shifts from their personal growth to their romantic choices, reducing them to mere pawns in the love triangle game. This can be particularly damaging to female characters, who are often pitted against each other in stereotypical ways. Instead of showcasing the complexities of human relationships, the love triangle trope can reinforce harmful stereotypes about jealousy, competition, and possessiveness. Writers should strive to create more nuanced and realistic portrayals of love and relationships, focusing on the challenges and joys of genuine connection rather than manufactured drama. This includes exploring different types of relationships, such as friendships, familial bonds, and platonic partnerships, which can be just as compelling and meaningful as romantic relationships. By moving beyond the love triangle, writers can create richer and more authentic stories about human connection.

The Fake Dating Trope: Is It Time to Say "It's Not Real" to This Plot Device?

The fake dating trope has become increasingly popular in romantic comedies and dramas. This trope involves two characters pretending to be in a relationship, often to achieve a specific goal, only to develop genuine feelings for each other. While it can be a fun and lighthearted premise, the fake dating trope often relies on predictable scenarios and conflicts. The characters may initially dislike each other, leading to humorous banter and awkward situations. As they spend more time together, they begin to see each other in a new light, developing feelings that they initially deny or ignore. The inevitable reveal of the fake relationship and the subsequent fallout can create drama, but it often feels contrived and unnecessary. The trope's formulaic nature can diminish the emotional impact of the story, making it feel predictable and unoriginal. Instead of relying on this trope, writers should explore other ways to bring characters together and create romantic tension.

One of the biggest challenges with the fake dating trope is making the premise believable and the characters' motivations compelling. If the fake relationship feels forced or the characters' feelings develop too quickly, the story can lose its credibility. The audience needs to understand why the characters are pretending to date and why they are drawn to each other despite their initial reservations. This requires careful character development and a nuanced exploration of their emotions. Furthermore, the fake dating trope can sometimes reinforce harmful stereotypes about relationships, such as the idea that love can be easily faked or that people can change their feelings on a whim. Writers should be mindful of these implications and strive to create stories that promote healthy and realistic portrayals of love and relationships. This includes exploring the complexities of communication, trust, and vulnerability, which are essential for any successful relationship, whether it starts as a pretense or a genuine connection. By moving beyond the fake dating trope, writers can create more original and meaningful stories about love and connection.

Conclusion: Let's Break Free from Trope Fatigue!

So, there you have it, a deep dive into some of the most overused tropes in movies and TV. While tropes can be useful storytelling tools, relying on them too heavily can lead to predictable and unoriginal narratives. As viewers, we crave fresh ideas, complex characters, and stories that surprise and challenge us. As writers, it's time to push the boundaries, break free from trope fatigue, and create something truly unique. Let's ditch the overused tropes, embrace originality, and elevate the art of storytelling! What tropes drive you crazy? Let's discuss in the comments below!